Go to the In/Out View for each track, choose Audio To, then ReWire Out, then Bus 1/2 to 63/64, or if using mono, Bus 1 to Bus 64. In the walkthrough, we send Live’s main stereo output into Logic, but we could equally direct each track to a different stereo pair or mono track inside Logic – ReWire supports up to 64 tracks of audio. ReWire isn’t just about timing it goes into MIDI and audio communication. This is an advantage of Link – there’s no ‘master’, everybody is free to join and leave whenever they like. Live is very accommodating and will perform either task equally well, while Logic insists on being in charge. In fact, back in the earlier days of Live, when it wasn’t so well spec’d with the instruments it has today, a Live and Reason setup was almost compulsory. The other classic ReWire team is Live with Reason. However, it makes fantastic setups with combos such as Logic and Live, with Live’s spontaneity and Logic’s detailed programming. ReWire provides perfectly timed sync between two or more applications, but it only works within one computer. This might happen because the other software involved doesn’t use Link, or we want a deeper relationship that includes audio and MIDI routing, or because we’re using hardware gear that doesn’t have WiFi – which is most of it! On the wire Link is great, but there are times when we need to use more old-school solutions. It also works cabled over ethernet, and even with wifi-enabled hardware such as Akai’s Force sampling groovebox. Last time, we talked about using Ableton Link to synchronize software on macOS, Windows, iOS, and Android, over a WiFi network.
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